Advocacy Collective Asserts to Have Scraped Countless of Audio Tracks from Spotify

An activist group has stated to have harvested a vast number of tracks from the popular streaming service and is preparing to release them publicly.

Potential Impetus for Artificial Intelligence Development

Observers noted the seeming leak could aid AI companies searching for material to develop their technology.

An entity called Anna’s Archive said it had scraped 86 million music files from Spotify and 256 million entries of metadata such as performer and album names. The company, which hosts more than 100 million songs, stated that the breach did not constitute its full catalog.

“We have identified and deactivated the nefarious user accounts that engaged in illegal scraping,” stated a Spotify spokesperson.

The Swedish service, which has more than 700 million subscribers worldwide, added that an inquiry into unauthorised access identified a third party collected public metadata and used questionable methods to circumvent DRM [digital rights management].

Group's Stated Goal and Concerns

The streaming service does not believe the music acquired by Anna’s Archive has been released yet. Anna’s Archive, which is recognized for providing links to copyright-infringing books, said in a blog it wanted to create a ‘historical repository’ for music.

They asserted the music files accounted for 99.6% of all music listened to by Spotify users and would be shared via ‘torrents’, a method of sharing large data files online.

“Naturally Spotify doesn’t have all the music in the world, but it’s a great beginning,” said Anna’s Archive, which describes its purpose as “preserving humanity’s information and culture”.

AI Training and Copyright Battleground

A composer and campaigner for protecting artists’ copyright, remarked the breached music would probably be utilized for developing artificial intelligence systems.

“Training on illegally sourced data is sadly common in the tech sector, so this stolen music is highly likely to be used instructing AI models,” he said.

The group's website alludes to a large online archive, a vast online repository of copyrighted books that has allegedly been leveraged by Meta to train its AI models.

The co-founder of an artificial intelligence company posted on LinkedIn that individuals of the public could in theory “create their own private free equivalent of the service”. The executive added it could also enable technology firms to “train on modern music at a large volume”.

Intellectual property law has become a battleground between creatives, writers and creatives on one side and AI companies on the other.

Policy Considerations and Responses

Across Britain, creative professionals have raised concerns against a government suggestion to allow AI companies utilize protected work without permission unless the rights holder opts out. Almost every participant to a government consultation on the proposal has supported artists’ concerns.

The secretary of state for technology, research and technology told parliament this month there was “no clear consensus” on the matter, adding that ministers would “take the time to get this correct”. The administration has committed to make regulatory plans on AI and copyright by March 2025.

Jake Webster
Jake Webster

A UK-based tech journalist with over a decade of experience covering digital innovations and cybersecurity trends.

September 2026 Blog Roll

Popular Post